Grünewald - Painter and Mystic of the German Renaissance

The German painter Matthias Grünewald (c. 1480–1528) remains one of the most enigmatic figures of the Renaissance, his artistic identity defined by stylistic complexity and historical obscurity. In this study, Edoardo Villata re-examines Grünewald's work through a critical re-evaluation of sources, stylistic developments, and the broader network of artistic influences.

Going beyond established interpretations, Villata explores the relationship between documentary research and comparative analysis, situating Grünewald within the artistic and intellectual landscape of his time. By integrating stylistic analysis, documentary research and a broader perspective that extends beyond painting to sculpture and religious thought (two of the most relevant findings are the discovery of the role of sculptor Tilman Riemenschneider in his training and of Johann von Staupitz, Luther's mentor, in the iconography of the Isenheim Altarpiece), Villata re-evaluates Grünewald's possible links with contemporary artistic centres, offering a new reading of his work and its historical significance.

Much more than a monograph, this study challenges prevailing narratives and emphasises the need for methodological rigour in art history research. This study is essential reading for researchers and specialists alike and is an indispensable contribution to Grünewald studies and Renaissance historiography.