Lettre d'information

Lee Miller in print

Lee Miller - Editions Boijmans Van Beuningen museum - Hardcover - 248 pages - Textes en English - Publié en 2024

Lee Miller in Print is the culmination of years of research into Miller’s published body of work. This research has uncovered numerous previously unknown examples of Miller’s work in the archives of dozens of magazines – from well-known titles such as Harper’s Bazaar and Vogue to small-circulation avant-garde periodicals.

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Référence 9789069183305
Artiste-Genre Lee Miller
Auteur(s) Saskia Van Kampen-Prein
Editeur(s) Boijmans Van Beuningen museum
Format Hardcover
Nb. de pages 248
Langue English
Dimensions 290 x 235
Date parution 2024
Musée Boijmans Van Beuningen museum

Exhibition Catalogue Lee Miller in print, presented at Museum Boijmans Van Beuningen , Rotterdam, Netherlands (2023-2024).

The book provides a rich overview of Miller’s work and contains texts by, among others, curator Saskia van Kampen-Prein. The exhibition at Depot Boijmans Van Beuningen features approximately a hundred historical magazines, vintage prints, films, archival materials and much more.

Lee Miller (1907-1977) had many lives: she was a model, muse, photographer, war correspondent and Surrealist chef.

It is well known that she was ‘discovered’ on the street at nineteen and that her face appeared on the cover of Vogue a few months later, that she inspired numerous famous illustrators, photographers and artists, and that she flouted convention by picking up a camera and making a name for herself with seductive fashion photos, Surrealist experiments and penetrating war reports.

Through this publication, Museum Boijmans Van Beuningen reveals the less-well-known fact that, during her lifetime, Miller’s impressive oeuvre was mainly accessible in magazines.

Curator Saskia van Kampen-Prein traces Miller’s life and work through the pages of popular lifestyle magazines such as Vogue and Harper’s Bazaar and avant-garde Surrealist periodicals. Through these magazines, Miller helped to shape the modern world and was her whole life ‘in print’.

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