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Marino di Teana

Marino di Teana - Publisher Liénart - Cartonné - 256 pages - Text in Bilingue Français / English - Published in 2019

Artist, humanist, architect and philosopher, Marino di Teana is part of a generation of prospective artists in the 1960s who questioned the relationship between art, architecture and space.

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in this language
Model LIV_9782359062564
Artist Marino di Teana
Author Ouvrage collectif. Préface de Jean-Michel Wilmotte
Publisher Liénart
Format Cartonné
Number of pages 256
Language Bilingue Français / English
Dimensions 290 x 250
Technique(s) 250 illustrations
Published 2019

Member of GIAP (International Group of Prospective Architecture), he developed in the late 1950s a sculptural practice open to the problems of architecture and social housing, as in his project Arquitectura del futuro (1958) for which the notions of space are totally redefined.

In 1963, he is described by Michel Ragon as a prominent representative of Sculpture-Architecture. Dominated by a conception of total art, the artist aims to permanently associate sculpture with architecture in the city.

"All my sculptures are architectural models. I wish I could stretch them to the scale of the building. " For Marino di Teana, space has a plastic role and counts as much as the masses. "My sculptures, or rather my structures, are designed strictly on the basis of the concept of tri-unit logic. To create a harmonic dialogue in space, we need a certain number of free forms, as between two people who dialogue, it takes a certain distance for the conversation to be meaningful. If the universe is beautiful, it is thanks to the relationship between volume and space at all levels."

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