Why this series of sculptures around small people? Because I wanted to represent the shock of the gaze that confronts the difference. This insistent, curious, sometimes judgmental gaze that arouses curiosity in the person watching.
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|Author||Georges Vigarello, Thierry Delcourt et Laurence Marchand|
|Publisher||In Fine éditions d’art|
|Number of pages||192|
|Language||Bilingue Français / English|
|Dimensions||310 x 240|
|Technique(s)||Illustrations : 133|
These disturbing looks in the face of unusual morphological landmarks, I knew them from my youngest daughter, who suffers from an orphan disease. It is indeed the relationship to difference, to exclusion, to the “normality” commonly accepted in our society that I wish to question in the spectator of my work.
What if we changed our value scale? What if difference became the norm ?
Préface / Foreword
Le nain, la personne, le monde. Les « faux disgraciés de Mauro Corda » / The dwarf, the person, the world “falsely disgraced”
– L’histoire de l’art / The history of art
– Les 5 principales religions / The five main religious
Visa pour un autre monde / Passport to another world
– Les despotes du XXe / 20th century despots
– Les superhéros / Superheroes
– El Paseillo / El Paseillo
– Les sportifs / Athletes
Un autre regard / Another gaze
– Le croisé / the crusader
Les ménines / Las meninas
– Monumental / Monumental
– Esquisses / Sketches
– Insolite / Unusual
Expositions / Exhibitions
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