No products
Product successfully added to your shopping cart
There are 0 items in your cart. There is 1 item in your cart.
Our webstore uses cookies to offer a better user experience and we consider that you are accepting their use if you keep browsing the website.
Exhibition catalogue
- New Art Books
- Exhibition catalogue
- Highlights
- Art Book Sale
- Museum's Shop & Gifts
- Bilingual art books and foreign editions
- Children's Books
- Art History
- Painting
- Architecture
- Sculpture
- Drawing & Engraving
- Photography
- Contemporary art
- Decorative Arts & Design
- Art Techniques
- Critics
- Entertainment art books
- Civilisations
- Partners Reviews
Matisse Méditerranée(s)
"The Mediterranean is so important. I didn't know it, I'm a man from the North, but it's the Mediterranean that struck me most. Henri Matisse
Shipped within 4 to 8 days
| Model | 9782382032251 |
| Artist | Henri Matisse |
| Author | Sous la direction de Aymeric Jeudy |
| Publisher | Musée Matisse Nice / In Fine éditions d’art |
| Format | Cartonnée contrecollée |
| Number of pages | 216 |
| Language | Bilingue Français / English |
| Dimensions | 270 x 235 |
| Technique(s) | Illustrations : 202 |
| Published | 2025 |
| Museum | Musée Matisse Nice |
Catalogue of the exhibition Matisse Méditerranée(s), presented at the Musée Matisse, Nice (7 May - 8 September 2025).
Matisse was continually fascinated by the Mediterranean, from his first visit to Corsica in 1898 to his uninterrupted visits to Nice between 1917 and 1954, including numerous trips to Algeria, Spain, Italy and, of course, Morocco.
By Matisse's own admission, the Mediterranean basin, bathed in a light that filled him with wonder, was a determining factor in his work, both in terms of the experimentation with a new language that this environment enabled him to develop and the pictorial tradition to which he was attached; even more so, in the mediation it offered him with the East and ancient cultures.
Indeed, Matisse, who sought to express his personal perception of landscape, had a conceptual relationship with the sea, and with the Mediterranean in particular: a sea made up of spaces that were experienced, felt, dreamt of or fantasised about. This ‘machine for manufacturing civilisation’, as Paul Valéry (first director of the Mediterranean University Centre created in Nice in 1933) called it, became for the painter the site of intense chromatic and plastic research, the discovery of new motifs.
Above all, beyond the obvious and commonplaces, it was ‘a very old crossroads’ of which Matisse was a witness and a player, where - in the words of Fernand Braudel - ‘everything converged [...]’.
Sommaire
Matisse Méditerranées(s) / Matisse Méditerranées(s)
Henri Matisse le « méditerranéen ». Itinéraire artistique / Henri Matisse the ‘Mediterranean’: an artistic itinerary
Baigneuses et baigneurs chez Matisse / Matisse’s bathers
Étude pour le bonheur de vivre / Study for the joy of life
« L’art moderne, un art plus proche des arts archaïques » : Matisse et la Méditerranée préclassique / ‘Modern art, an art that’s closer to archaic art’: Matisse and the pre-classical Mediterranean
Le paysage méditerranéen chez Henri Matisse / Henri Matisse’s Mediterranean Landscapes
Autour du bestiaire marin, 1943-1954 / About the marine bestiary, 1943–1954
Auteurs / Authors
Œuvres exposées / Exhibited works
Bibliographie sélective / Selected bibliography
Organisation de l’exposition et remerciements / Exhibition organisation and acknowledgements
Recently viewed items
